Friday, October 9, 2009

Theatrical Releases

Every Friday we will update you all with the week's theatrical documentary releases. Now, this will not be a perfect process as our beloved genre prefers the limited release schedule instead of a big nationwide or international-wide release. So apologies if a film isn't out in your area, or if you are a filmmaker and we missed the boat on announcing your documentary's big day (if that is the case, please let us know as we try to refine and hone this weekly post).

Now, with that introduction out of the way, here's this weekend's releases with their current rating on the amazing website

Good Hair - (92% rating) - In the movie School Daze, Spike Lee staged a dance number in which two bands of African-American college students debated the merits of "Straight and Nappy" hair in song, and now comedian Chris Rock and filmmaker Jeff Stilson have extended the conversation to a full-length film in this witty documentary with serious undertones. Rock says he was inspired to make the film when his young daughter asked him, "Daddy, how come I don't have good hair?" and he and Stilson examine black America's obsession with their hair (

Yes Men Fix The World - (82% rating) - Andy Bichlbaum and Mike Bonanno are two guys who just can't take "no" for an answer. They have an unusual hobby: posing as top executives of corporations they hate. Armed with nothing but thrift-store suits, the Yes Men lie their way into business conferences and parody their corporate targets in ever more extreme ways - basically doing everything that they can to wake up their audiences to the danger of letting greed run our world (

The Heretics - (No rating provided) - The Heretics reveals the inside story of Heresies, a feminist art collective that was at the epicenter of the 1970s art world in lower Manhattan. Director Braderman, who joined the group in 1971 after moving to New York to become a filmmaker, charts the collective’s story for the first time in a feature-length film or video, revealing its pivotal role in the “second wave” of the Women’s Movement (

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